The Sixties


Stevie's Sixties

Stevie Wonder began recording for Motown in 1962, at the age of 12. After a year of not very successful releases, his very first entry on the Billboard Pop chart, 'Fingertips - Pt 2', was a number one smash in 1963. After a few more lean years, he hit number three with 'Uptight (Everything's Alright)' in early 1966. Throughout the rest of the decade he was one of Motown's most successful performers, with hits such as 'A Place In The Sun', 'I Was Made To Love Her', 'For Once In My Life', 'My Cherie Amour' and 'Yester-Me, Yester-You, Yesterday'.

From Stevie's very first year as a recording artist, songwriting was an important part of his musical expression. His first recorded compositions, 'Wondering', 'Session 112' (both from his first album, the 1962 release The Jazz Soul Of Little Stevie) and 'Sunset' (Tribute To Uncle Ray, also 1962) were all co-written with Clarence Paul.

During Motown's Hitsville years (when most of the music was created in Detroit), competitive songwriting was very much encouraged, and the highly creative climate meant that songs would be pitched back and forth between songwriters, artists and producers. Some performing artists, such as Marvin Gaye, Smokey Robinson and Stevie Wonder, were even writing and/or producing for Motown acts other than themselves. Given this "family" atmosphere it was quite natural that Stevie should write almost exclusively for other Motown artists during the Sixties, contributing songs to all the major performers on the label.

During this period of songwriting, Stevie mostly wrote the music, while the lyrics were written by Motown staff writers. Among his most frequent collaborators were Clarence Paul (Stevie's mentor and the man who first brought him to the label; also his co-writer on songs such as 'Fingertips'), William Stevenson (Motown's A&R director and the co-writer of hits like 'Dancing In The Street' and 'It Takes Two'), Ivy Jo Hunter ('Dancing In The Street' and many others), Morris Broadnax (co-writer of Stevie's 'Hey Love') and Henry 'Hank' Cosby (co-writer of several of Stevie's hits, among them 'Uptight [Everything's Alright]', 'I Was Made To Love Her' and 'My Cherie Amour').

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Stevie with Motown founder Berry Gordy.




Song title: Honey Babe
Artist: The Supremes
Composers: Stevie Wonder/?
Originally released on: Unreleased until 2004
Release date: December? 2004
Currently available on CD: Where Did Our Love Go (40th Anniversary Edition) - Hip-O Select 5270
Further info: For a first song to be recorded by another artist, Stevie could certainly have ended up with a less prestigious group than The Supremes: in terms of chart performance, no Motown act was more successful in the 1960s.

However, the song Stevie wrote for them, 'Honey Babe', was destined to remain unreleased for 40 years. Recorded during sessions for The Supremes' Where Did Our Love Go album, the song was left on the shelf along with many other tracks. It was finally issued on the expanded 40th Anniversary Edition of the album.
 
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Song title: Baby Doll
Artist: The Supremes
Composers: Stevie Wonder/Clarence Paul/Ted Hunt
Originally released on: The Supremes Sing Country Western & Pop - Motown 625
Release date: February 22, 1965
Currently available on CD: Not available, was on out-of-print release The Supremes Sing Country Western & Pop - Motown 31983-0327-2
Further info: Stevie had better luck with his second song for The Supremes - which was also his very first song written for another artist to be released. 'Baby Doll', co-written with Clarence Paul and Ted Hunt, was a fairly typical Motown production of a pleasant mid-tempo tune. The song should of course not be confused with The Supremes' second number one hit, 'Baby Love'.

In 1973, Stevie wrote a further song for the group, 'Bad Weather' (see Seventies page), although by that time Diana Ross had left the group. However, some 25 years after 'Baby Doll', Ms Ross recorded Stevie's 'The Force Behind The Power' (see Nineties and beyond).

 


Song title: I Prayed For A Boy (Like You)
Artist: Brenda Holloway
Composers: Morris Broadnax/Stevie Wonder/Clarence Paul
Recorded: January 12, 19 and 21, 1965
Originally released on: Unreleased until 2005
Release date: February 7, 2005
Currently available on CD: The Motown Anthology - Motown 980 765-8 (UK release)
Further info: The romantic ballad 'I Prayed For A Boy (Like You)' would have been a perfect slow dance towards the end of school dances back in the mid-1960s. Alas, this great recording, graced by a flawless lead vocal by Brenda Holloway (of 'Every Little Bit Hurts' fame), was destined to remain buried in the seemingly inexhaustible Motown archives for 40 years.

The Motown Anthology also contains Brenda Holloway's version of 'All I Do Is Think About You', originally recorded by Tammi Terrell (see below). Brenda's lead vocal was added to the backing track utilised by Tammi Terrell, on March 24, 1966. Both versions would remain unreleased for almost four decades.

 


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Song title: Nobody'll Care
Artist: Martha & The Vandellas
Composers: William Stevenson/Ivy Jo Hunter/Stevie Wonder
Originally released on: Dance Party - Gordy G-915
Release date: April 12, 1965
Currently available on CD: Dance Party/Watchout! - Motown 016 836-2 (European release)
Further info: 'Nobody'll Care' was co-written with William Stevenson and Ivy Jo Hunter. The song was in good company on Martha & The Vandellas' third album, which contained classic hits such as 'Dancing In The Street' and 'Nowhere To Run'.
 


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Song title: Anything You Wanna Do
Artist: Marvelettes
Composers: Stevie Wonder/Clarence Paul/Ronald Miller
Originally released on: Single release: B-side of Don't Mess With Bill - Tamla 54126
Release date: November 26, 1965
Currently available on CD: Not available, was on out-of-print release Deliver: The Singles (1961-1971)
Further info: 'Don't Mess With Bill' was The Marvelettes' third biggest US hit, peaking at number 7. Its catchy B-side, 'Anything You Wanna Do', was almost strong enough to be the lead track on a single of its own.
 


Song title: You're The One For Me
Artist: Marvin Gaye
Composers: Stevie Wonder/Clarence Paul/Luvel Williams
Originally released on: Moods of Marvin Gaye - Tamla 266
Release date: May 23, 1966
Currently available on CD: Moods of Marvin Gaye/In The Groove - Motown 013 185-2 (European release)
Further info: The atmospheric 'You're The One For Me' was recorded in January and February 1966, during the period when Stevie was completing his own Uptight (Everything's Alright) album. 'You're The One For Me' was the first of three tunes that Stevie wrote for Marvin Gaye.

Incidentally, Gaye started his Motown career as a session drummer - Stevie's records were among those that were graced by his musicianship. This was something that Stevie remembered at the time of Gaye's tragic death in April 1984.
At the funeral he performed a brand new song, 'Lighting Up The Candles', which, somewhat spookily, had been written with Gaye in mind - the day before he was shot to death by his father on April 1. "I never thought that I would live to see this day," Stevie said. "Marvin played drums on the first song I recorded, he taught me how to properly hold the drum sticks." 'Lighting Up The Candles' was later released on Stevie's 1991 album Jungle Fever.
 
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Song title: All I Do Is Think About You
Artist: Tammi Terrell
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Recorded: December 16, 1965 and January 14, 1966
Originally released on: Unreleased until 2002
Release date: June 3, 2002
Currently available on CD: A Cellarful Of Motown! - Motown 544 619-2
Further info: One of the most mind-boggling aspects of the Motown story is the many unreleased tracks languishing in the record company archives. As Paul Nixon writes in his liner notes for A Cellarful Of Motown, "It's incredible to think that Motown producers, writers, arrangers, singers and musicians all tolied brilliantly on tracks that somehow never saw the light of day until now." The terrific 'All I Do Is Think About You' is a good example - it certainly should have been issued at the time of its recording and not 36 years later.

An alternate version of the song, performed by Brenda Holloway, was released in 2005 (see above). However, Stevie's own, later recording - featuring the slightly abridged title 'All I Do' - was the first version to be released. He began work on the track in the spring of 1977, and the completed recording was finally issued on his 1980 album Hotter Than July.

But despite the long history of 'All I Do', it seems Stevie was not done with this particular song just yet. In 1991 it was reported that he was reworking the song in a more uptempo fashion. "I've changed the whole beat around and put it back up in the original key", he explained. However, this version remains unreleased.

 
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Song title: Just A Little Misunderstanding
Artist: The Contours
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Originally released on: Single release: Gordy 7052
Release date: May, 1966
Currently available on CD: 20th Century Masters: The Millennium Collection - Motown 064 040-2
Further info: 'Just A Little Misunderstanding' marked the first time that one of Stevie's songs for other artists appeared on a single A-side. The single didn't climb higher than number 85 in 1966, but later became a popular feature on the British Northern Soul circuit. "One of the best 'dance-songs' we recorded at Motown," was Stevie's own retrospective verdict. "It was ... one of those songs that were inside my head."
 


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Song title: Loving You Is Sweeter Than Ever
Artist: Four Tops
Composers: Stevie Wonder/Ivy Jo Hunter
Originally released on: 4 Tops On Top - Motown 647
Release date: July 1966
Currently available on CD: Four Tops On Top/Reach Out - Motown 013 360-2
Further info: Four Tops were still on the charts with their Top 20 hit 'Shake Me, Wake Me (When It's Over)' when 'Loving You Is Sweeter Than Ever' was released as a single (Motown 1096) in May 1966. Surprisingly, this extremely catchy song - featuring Stevie on drums - stalled at number 45 on the Billboard chart. However, it was the first of Stevie's "giveaways" to become something of a standard. Among other artists to record versions of the song are Marvin Gaye, Dion, The Band and Dionne Warwick.

Stevie later reflected on this first period of songwriting:
"When I started to write music, I suddenly had the whole mind full of melodies, lyrics and ideas for songs. I don't know where they came from. Suddenly they were just there! I wrote 'Loving You...' for the Four Tops and it was all spontaneous. They were in the studio and I had a new song. I started to play the drums and then we just recorded the song. 'Tears Of A Clown' was done in a similar way."

Note: An alternate mix of 'Loving You Is Sweeter Than Ever' was released in 2005 (see next entry).

 
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Song title: Loving You Is Sweeter Than Ever - alternate mix
Artist: Four Tops
Composers: Stevie Wonder/Ivy Jo Hunter
Recorded: April 5 and April 14, 1966
Originally released on: Unreleased until 2005
Release date: May 25, 2005
Currently available on CD: Lost Without You: Motown Lost & Found - Hip-O Select B0003626-02
Further info: Ivy Jo Hunter, Stevie's co-writer of 'Loving You Is Sweeter Than Ever', was also the producer of the recording. However, he felt that the released mix (see previous entry), supervised by Brian Holland, was not what he had originally envisioned. In Hunter's opinion, Holland "cut things back way too far. It didn't have that oomph." Instead, according to Hunter, Holland was in love with Stevie's drumming and chose to emphasise that in the mix.

The alternate mix on the Lost Without You collection was apparently created especially for this release, and is closer to Ivy Jo Hunter's original concept. "It might have sold more records if it came out this way," says Hunter today.

 
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Song title: What Am I Gonna Do Without You
Artist: The Temptations
Composers: Stevie Wonder/Ivy Jo Hunter
Recorded: April 9, April 27 and June 9, 1966
Originally released on: Unreleased until 1999
Release date: September 28, 1999
Currently available on CD: Lost and Found : You've got to earn it (1962-1968) - Motown 153 366-2
Further info: Yet another recording that was destined to remain unreleased for more than 30 years. In fact, of the two Temptations songs written by Stevie to have been made public, both were issued decades after they were recorded (see 'Angel Doll' below). 'What Am I Gonna Do Without You' was recorded around the time of the group's Top 20 hit, 'Ain't Too Proud To Beg.'

In July and August 1967, a completley new version of 'What Am I Gonna Do Without You' was recorded by The Detroit Spinners, less "bluesy" and more "poppy" than The Temptations' take on the song. Alas, this recording also remained unreleased for decades - 38 years to be exact. It was finally issued on A Cellarful Of Motown! Volume 2 (Motown 982 929-7). The first original Stevie Wonder song to be released by The Detroit Spinners was 'It's A Shame' (see Seventies section).

However, a recording of 'What Am I Gonna Do Without You' was in fact issued back in the Sixties. In October 1967, Chuck Jackson added his lead vocal to the backing track recorded for The Detroit Spinners. The completed recording was then included on his album Arrives (Motown 667), released in February 1968. Jackson's version was also featured on the B-side of his single 'Honey Come Back' (Motown 1152), issued in September 1969.

 


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The Detroit Spinners' version of 'What Am I Gonna Do Without You' is available on this CD:

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Chuck Jackson's version of 'What Am I Gonna Do Without You' is available on this CD:

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Song title: Without Your Sweet Lovin'
Artist: Marvin Gaye
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Recorded: June 19, June 29 and July 6, 1966
Originally released on: Unreleased until 1995
Release date: April 25, 1995
Currently available on CD: The Master 1961-1984 - Motown 530 492-2
Further info: 'Without Your Sweet Lovin'', a fairly average production from Motown's Hitsville era, is enhanced by a characteristically smooth Marvin Gaye vocal. It was yet another track that was to remain in the vaults for a long time.
 
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Song title: Let's Talk It Over
Artist: Marv Johnson
Composer: Stevie Wonder/Clarence Paul
Recorded: June 19, June 27 and July 2, 1966
Originally released on: Unreleased until 2005
Release date: July 4, 2005
Currently available on CD: A Cellarful Of Motown! Volume 2 - Motown 982 929-7
Further info: The backing track for 'Let's Talk It Over' was recorded on the same day as Marvin Gaye's 'Without Your Sweet Lovin'' (see above) - and both tracks were to remain unreleased for decades.

Although Marv Johnson was the very first artist to release a single on the Tamla label - 'Come To Me' / 'Whisper' in 1959 - he was one of those artists that never made it really big, apart from a few impressive chart placings with tracks such as 'You Got What It Takes' and 'I'll Pick A Rose For My Rose'. It is nice to see the very cool 'Let's Talk It Over' finally released after languishing in the vaults for such a long time.

 
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Song title: Can You Love A Poor Boy
Artist: Smokey Robinson & The Miracles
Composer: Stevie Wonder
Originally released on: Away We A Go-Go - Tamla 271
Release date: November 16, 1966
Currently available on CD: Going To A Go-Go/Away We A Go-Go - Motown 013 358-2
Further info: Aside from Syreeta, Smokey Robinson (with or without The Miracles) is certainly the artist who has received most songs from the pen of Stevie Wonder. The first composition he gave to Smokey, the romantic ballad 'Can You Love A Poor Boy', sounded almost tailor-made for Robinson's sweet vocals. It also marked the first time a Stevie Wonder song created without any co-writers appeared on another artist's release.
 
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Song title: Everybody Needs Somebody (I Need You)
Artist: JJ Barnes
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Recorded: November 17, December 22, 1966, and January 10, 1967
Originally released on: Unreleased until 2005
Release date: July 4, 2005
Currently available on CD: A Cellarful Of Motown! Volume 2 - Motown 982 929-7
Further info: JJ Barnes recorded two Stevie Wonder tracks that were left unreleased at the time, but instead were released by Stevie himself on his I Was Made To Love Her album. JJ Barnes' vocals for 'Everybody Needs Somebody (I Need You)' predated Stevie's vocal overdub, so in a roundabout way it qualifies for inclusion in this list. In the case of the other track - 'Every Time I See You I Go Wild' - it appears Stevie recorded his vocals first. However, more important than any of this nitpicking (!) is that both of Barnes' interpretations are available on the compilation CD A Cellarful Of Motown! Volume 2.

 
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Song title: What Else Is There To Do (But Think About You)
Artist: Four Tops
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Originally released on: Reach Out - Motown 660
Release date: July 1967
Currently available on CD: Four Tops On Top/Reach Out - Motown 013 360-2
Further info: Stevie's second and last song for the Four Tops was recorded around the time of his own I Was Made To Love Her album, in early 1967. 'What Else Is There To Do (But Think About You)' appeared on the Four Tops' sixth album, the hit-packed Reach Out.

 
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Song titles:
1. My Love Is Your Love (Forever)

2. After You Put Back The Pieces (I'll Still Have A Broken Heart)
3. The Tears Of A Clown
Artist: Smokey Robinson & The Miracles
Composers:
1. Stevie Wonder/Clarence Paul/
Ivy Jo Hunter
2. Stevie Wonder/Clarence Paul/Morris Broadnax
3.
Stevie Wonder/Henry Cosby/Smokey Robinson
Originally released on: Make It Happen - Tamla 276
Release date: September 8, 1967
Currently available on CD: Make It Happen/Special Occasion - Motown 013 183-2
Further info: 'My Love Is Your Love (Forever)' was also recorded in a meatier version by The Isley Brothers in August and October 1967, arguably superior to The Miracles' interpretation. Apparently, it was then left in the vaults and wasn't released until May 1972, on a UK compilation album entitled Tamla Motown Presents The Isley Brothers (MFP 50014). Like The Contours' 'Just A Little Misunderstanding' (see above), this too became a Northern Soul classic.

This version of 'My Love Is Your Love (Forever)' is currently available on Motown Early Classics (Motown 552 122-2). Note: A previously unreleased alternate mix, billed as "single mix", was released on the Isley Brothers CD This Old Heart Of Mine/Soul On The Rocks (Motown 017 190-2) in 2002.

A song better suited to Smokey Robinson's intimate vocal style was the reflective 'After You Put Back The Pieces (I'll Still Have A Broken Heart)'. The track was recorded August 5, 1966.

Stevie's first hit as a songwriter for other artists came with Smokey Robinson & The Miracles' recording of 'The Tears Of A Clown' (co-written with Robinson and Henry Cosby, recorded September 26, 1966). Stevie wrote the tune in 1965, partly inspired by Chip Taylor's 'Wild Thing'. He presented the music to Smokey at a Motown Christmas party that year. "I had the music in my head and I hummed it for Smokey and then he and Henry Cosby wrote the lyrics," Stevie remembered. "We were living in the middle of the music in that studio (Motown) all the time, and there were always someone who needed some kind of help in there."

'The Tears Of A Clown' was included as track on the Make It Happen album - and that, initially, seemed to be that. However, three years later, John Marshall - the head of Tamla Motown in Great Britain - decided that the song had potential beyond the album and released it as a single. On September 12, 1970, 'The Tears Of A Clown' hit number one on the UK charts, the first such achievement for both The Miracles and Stevie Wonder.

While the song was making its way to the top in the UK, on September 2 it was remixed for single release in the US. Upon release later that month (Tamla 54199), it quickly became a hit and topped the US charts for two weeks in December. Again, this was the first number one hit for The Miracles. (The remixed US single version of 'The Tears Of A Clown' is available on the compilation album The Ultimate Collection - Motown 530 857-2.)

A year later, Stevie reflected on the origins of 'The Tears Of A Clown' and its subsequent unexpected success: "The lyric concept I had was completely different. The lyric was Smokey's thing. Anyway it was number one, and I couldn't believe it."

 


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The remixed US single version of 'The Tears Of A Clown' is available on this CD:

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The Isley Brothers' version of 'My Love Is Your Love (Forever)' is available on this CD:

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The "single mix" of The Isley Brothers' version of 'My Love Is Your Love (Forever)'
is available on this CD:

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Song title: Angel Doll
Artist: The Temptations
Composers: Stevie Wonder/Clarence Paul/Morris Broadnax
Recorded: 1967
Originally released on: Unreleased until 1994
Release date: September 20, 1994
Currently available on CD: Emperors Of Soul - Motown 530 338-2
Further info: The second and last of Stevie's songs for The Temptations to be made public, the uptempo 'Angel Doll', was crowned by a typically energetic David Ruffin lead vocal. Alas, the recording didn't pass through Motown's quality control at the time, and remained unissued until the release of the 1994 Emperors Of Soul box set. 'Angel Doll' also appears to be one of the last Stevie Wonder songs written with faithful collaborators Clarence Paul and Morris Broadnax.

Later collaborations between Stevie and The Temptations include two unreleased songs that were reportedly recorded in September 1974. On the 1995 album Memories, Music, Magic of Motown: Tribute to Berry Gordy, Stevie duetted with The Temptations on the track 'You're My Dream Come True'.

Around 1970, Stevie also produced a recording for former Temptations lead singer David Ruffin, entitled 'Lovin' You's Been So Wonderful'. Stevie wrote the song, and also played on the track. However, the recording was never released. But this was around the time of the expiration of Stevie's original Motown contract, so at the time he was quite philosophical about it. "In the midst of all that, I was in the process of gettin' my thing together and deciding what I was gonna do with my life. This was like I was 20 going 21, and so a lot of things were left somewhat un-followed up by me. I would get the product there and nobody would listen and I'd say 'Fuckit'… I wouldn't worry about it."
 
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Song title: I'm In Love (And I Know It)
Artist: Martha Reeves & The Vandellas
Composers: Stevie Wonder/Henry Cosby/James Anthony Dean
Originally released on: Ridin' High - Gordy 926
Release date: May 1968
Currently available on CD: Ridin' High/Sugar 'N Spice - Motown 016 837-2
Further info: 'I'm In Love (And I Know It)' was Stevie's second song for Martha & The Vandellas. The track was recorded in early 1967. 'I'm In Love (And I Know It)' was later used as the B-side of the single '(We've Got) Honey Love' (Gordy 7085, April 1969).
 
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Song title: Try My True Love
Artist: Marvin Gaye
Composers: Stevie Wonder/Henry Cosby/James Dean
Originally released on: M.P.G. - Tamla 292
Release date: April 30, 1969
Currently available on CD: M.P.G./That's The Way Love Is - Motown 013 187-2
Further info: 'Try My True Love' was recorded in early 1967, but not released until two years later. This was the last song Stevie wrote for Marvin Gaye. However, the pair reunited on record in 1979, when they recorded the single 'Pops, We Love You' together with Diana Ross and Smokey Robinson.

Gaye's classic hit 'I Heard It Through The Grapevine' has been a long-time favourite of Stevie's, and he has played it in concert many times. However, this was not the song he chose for his contribution to the 1995 tribute album Inner City Blues: The Music of Marvin Gaye. Instead, he recorded a version of Gaye's very first hit single, 'Stubborn Kind Of Fellow'.

Finally, one last Marvin Gaye/Stevie Wonder connection. On the song 'Praise', from Gaye's 1981 album In Our Lifetime, he sings the line "Stevie, we really dig you, hope you don't mind this riff from you". It seems it was never made clear exactly which part of the melody or arrangement of the song Gaye felt he had "stolen" - even Stevie himself was unsure. "I don't know what it is from," he told a reporter. "I think it might be a little thing from 'Summer Soft'."

 
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Song title: This Town
Artist: Rotary Connection
Composer: Stevie Wonder
Originally released on: Songs - Cadet 322
Release date: 1969
Currently available on CD: Songs/Hey Love - Ace CDBGPD115 (UK release)
Further info: 'This Town' was the first song Stevie wrote for a non-Motown act. The tune was created in the summer of 1968, during the making of his For Once In My Life album. 'This Town' also marked Stevie's first tentative partnership with Rotary Connection member Minnie Riperton, who was to become an important collaborator in the following decade. However, although Riperton's voice is prominent on 'This Town', the lead vocals are handled by Sidney Barnes.

In 1986 Stevie performed 'This Town' during his In Square Circle tour of the United States. There was also talk of including the song in a musical he was working on at the time. However, the musical - reportedly about the city of New York - was never completed.
 
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