I Still Have Faith In ... ABBA books

Published May 04, 2018

Well I never...! Who would have thought that ABBA would return with two brand new songs. I belonged to those who were convinced there would never be an ABBA reunion, in whatever shape or form. When asked about it in interviews, I usually added the "never say never" caveat, but from what the four members had been telling the media over the past decades, my conclusion was that it would never happen. They had, to coin a phrase, Moved On.

Now, of course, I'm very much looking forward to hearing the two new songs, I Still Have Faith In You and Don't Shut Me Down. After the initial surprise announcement, and the many requests from the media to comment on the news, as the entire thing has sunk in I've come to realise that for me, the best part of this "reunion" is that we'll get to hear Agnetha and Frida sing together again. As the male half of the group are keen to point out, it's the ladies' voices together that make up the main part of the ABBA sound. I honestly can't wait to hear that "third voice" again.

Will these recordings, made for the upcoming "abbatar" project, pave the way for more sessions? No-one seems to know, certainly not me. For now, I prefer to think of the two new songs as an epilogue, an additional chapter to the ABBA story. A potentially interesting and exciting chapter, for sure, but separate from the 1972-1982 era, when ABBA existed for real.

Speaking of additional chapters, I have to say that I'm now even more happy that I decided to put together a companion volume to ABBA - The Complete Recording Sessions. Not only will I be able to include all the fun stuff I've already promised, but, naturally, the new songs will be covered as extensively as possible - all dependent, of course, what kind of information I'll be able to extract about them.

Obviously, I'm not going to be able to publish the companion volume until the new songs are out, so probably sometime in the late spring or early summer of 2019. We'll have to see how the "abbatar" project pans out, though.

In the meantime, to learn all about ABBA's classic-era recordings, please order your copy of ABBA - The Complete Recording Sessions here: abbathecompleterecordingsessions.com

 

The new ABBA songs - my comments in the media

Published April 30, 2018

I was in Tuscany, Italy, when the news broke last Friday about the brand new ABBA songs to be unveiled later this year ('I Still Have Faith In You') and probably in the spring of 2019 ('Don't Shut Me Down'). I was out on a ferry, leaving the Isola Maggiore, which wasn't an ideal location when my phone started going berserk.

Anyway, I managed one radio interview on BBC Radio Berkshire, which you can listen to here (I was on mobile phone, so there are some drop-outs here and there).

I was also interviewed by the Swedish news agency TT, and their story was published in various newspapers, for example here. (In Swedish)

There was also a story by the news agency AFP, which you can read here. (In English)

Finally, a very brief comment from me was published in the German magazine Stern. (In German)

At the time of doing the interviews I didn't have the info on 'Don't Shut Me Down', which has been described by Björn as an uptempo song, so I was clearly wrong when I surmised that both tunes were ballads and/or mid-tempo. Either way, I'm looking forward to hearing them!

 

ABBA - The Complete Recording Sessions: one year later

Published April 06, 2018

About this time, a year ago, those who had pre-ordered the revised and expanded edition of ABBA - The Complete Recording Sessions (abbathecompleterecordingsessions.com) began receiving their copies. I can't quite believe it's already been a year, but what an amazing 12 months it's been.

When you're writing a book, for the most part you're so concentrated on getting the work done that the fact that someone's actually going to read it feels very abstract. Oh sure, there were times when I got particularly excited by something I was writing and thought, "they're going to get a real kick reading about this", but for the most part it was all about getting the work done.

So while I felt fairly confident that ABBA - The Complete Recording Sessions would be well-liked by the fans, I was unprepared for the sheer love directed towards the book, much less the amazing reviews. I am so happy that this self-publishing "experiment" came off so well: that it was possible to put together a self-published, thoroughly researched book aimed at a small but highly motivated readership through the wonders of crowdfunding.

Thank you all for your amazing support throughout the entire experience of writing and publishing ABBA - The Complete Recording Sessions. I am now working on the companion volume, which I hope will be published sometime in 2019.

ABBA - The Complete Recording Sessions is still available here: abbathecompleterecordingsessions.com

 

Lill-Babs asked for my autograph

Published April 04, 2018

The death of singer Barbro "Lill-Babs" Svensson yesterday is front-page news in Sweden. She made her first record as a 16-year-old back in 1954 and has never quite been out of the spotlight since then: that's 64 years. Sweden's biggest daily, Dagens Nyheter, devoted their entire culture section to her passing today.

Swedish showbusiness being as small as it is, there are many connections between her and ABBA, the most prominent one of course being her 1971 hit single 'Välkommen till världen' ("Welcome To The World"), which was written by Björn and Benny, and also featured backing vocals by all four future ABBA members. ABBA manager Stig Anderson wrote her 1959 mega-hit, 'Är du kär i mig ännu, Klas-Göran’ ("Are You Still In Love With Me, Klas-Göran"), which also laid the foundation for his own music business empire.

I only met Lill-Babs once, at the release party for Ingmarie Halling's and my book ABBA - The Backstage Stories, which was held at ABBA The Museum in 2014. We ended up sitting fairly close to each other at the bar and although this was mainly Ingmarie's book and party, which was exactly how it should be, Lill-Babs asked me about my involvement. I had heard this about her: that she was good at "seeing" people and making them feel like they matter.

I told her that we had put 'Välkommen till världen' as a bonus track on Ring Ring Deluxe Edition, which made her throw back her head and roar with laughter; she was really amused by that. She also asked me to sign her copy of the book: I don't know how many international stars would have bothered asking a "lowly" author for his or her autograph, but she's certainly the most famous person to specifically ask me to sign something for her.

I can't quite imagine what it must be like being a star, satisfying the public's dual expectations of you being somehow different and more special than ordinary people, and at the same time being just like everybody else - perhaps especially in Sweden (and the other Nordic countries), where big-headed acts seldom get the love of the public. Lill-Babs seemed to master this balancing act better than most people in her position.

 

 

I was rejected by Polar...

Published March 27, 2018

Music has been a lifelong passion of mine, and in the early 1980s I played the synthesizer in a band with some high school friends. In 1982, when I was 17, we recorded a decent-sounding demo tape featuring a few of our songs and sent it to a number of record companies.

That much I remember, and I remember one of the rejection letters we got, but the other day one of my pals in the band produced the attached letter. I burst out laughing. Yes folks, it turns out we were rejected by ABBA's record company, Polar Music International (for those of you who don't read Swedish, it was pretty much a standard "not what we're looking for at the moment but good luck in the future" type letter). I have a pretty good memory of events from my youth, sometimes remembering details from my friends' lives better than they do, but I have absolutely no memory of sending our tape to Polar, much less getting this rejection letter.

Considering how many ABBA projects I've been involved in over the past 25 years, I thought this was pretty funny. I scanned the letter and sent it to the man who'd signed it, Polar Music label manager Hans "Berka" Bergkvist, whom I know a bit. He replied that he hoped we could be still friends. But of course, Berka.

 

Film celebrating 30 years of Benny Andersson and Orsa Spelmän to premiere soon

Published February 28, 2018

Last week I had the privilege of attending a preview of Anders Hanser's upcoming film, Benny Andersson & Orsa spelmän 30 år tillsammans ("Benny Andersson & Orsa Spelmän 30 Years Together").

Photographer Anders Hanser, with whom I did the book From ABBA To Mamma Mia!, was the man who introduced Benny to this group of fiddlers back in the mid-1980s, leading to their appearance on Benny's first solo album, Klinga mina klockor ("Ring, My Bells", 1987). Since then the Orsa Spelmän members have become a part of Benny Anderssons Orkester, and band member Kalle Moraeus has emerged as a very popular performer and TV personality in his own right. In the international ABBA fan community, there is a section that is particularly interested in this part of Benny's post-ABBA activities.

The film features plenty of rare footage and, apart from covering the collaboration between Benny and Orsa Spelmän, it also traces the fascinating story of how the Swedish folk music indigenous to the county of Dalarna (Dalecarlia) has been kept alive, in no small part thanks to Orsa Spelmän and the members' ancestors. The band is interviewed in the film, of course, as is Benny himself.

The film will receive its official premiere at the Röda Kvarn cinema in the town of Orsa on 18 March (click here for the poster/ad). It seems there will be a screening in Stockholm on 14 March as well. No doubt it will be shown elsewhere throughout the year.